When watching Isn’t It Romantic?, it’s hard not think of I Feel Pretty when doing so. Especially because it came out last year. Both films have a similar premise involving a woman living in NYC who lack self-respect. But after badly hitting their heads, they get a new particular outlook on life and themselves. Their outlooks are demonstrated in different ways but they still have the same idea. However, Isn’t It Romantic? executes that idea in a far better manner. While I Feel Pretty has its heart in the right place, it doesn’t provide the same amount of laughs. Also,
An amusing satirization with plenty of heart and a great Rebel Wilson performance.
Guess who has some cool things to talk about this week?
We had some friends over tonight to watch a movie (more on that in a minute), which means I’m sitting down to write this relatively late in the evening Friday, which means we’re gonna get right to it. Like now. Audition I had seen a few Takashi Miike movies before Audition so I thought I was prepared for what was to come. I expected sadistic violence and perversion. I was not ready for a rather staid, emotional, romantic drama. Talk about your shocks. Then, of course, once you’ve settled in for a surprisingly normal movie from the masters of crazy
Read on to learn more about them.
Here's what film fans can look for to in May. New to the collection are William Wyler's The Heiress, Michael Haneke’s Funny Games, Claire Denis's Let the Sunshine In, David Lynch's Blue Velvet, and Agnès Varda’s One Sings, the Other Doesn’t. Getting a Blu-ray upgrade: David Mamet's House of Games. Read on to learn more about them. The Heiress (#974) out May 7 Directed with a keen sense of ambiguity by William Wyler, this film based on a hit stage adaptation of Henry James’s Washington Square pivots on a question of motive. When shy, fragile Catherine Sloper (Olivia de Havilland,
Takashi Miike's disturbing melodrama gets a nice restoration from Arrow Video.
Perhaps the most shocking thing about Takashi Miike's 1999 film Audition is that for its first half or so there is nothing shocking about it at all. Miike, a Japanese director known for films featuring perverse images, black humor and extreme violence, spends the first 50 minutes of his nearly two hours run time telling an intimate, emotional, family drama. For anyone who comes to Audition knowing Miike films such as Ichi the Killer, Visitor Q, or Izo, watching nearly an hour of cinema in which nothing weird, blood soaked, or insane happens is the craziest twist of all. This
Series begins in April with Howl's Moving Castle: 15th Anniversary.
Press release: After kicking off in 2017 and returning for an even more successful 2018, STUDIO GHIBLI FEST is back for 2019. GKIDS, the acclaimed distributor of multiple Academy Award-nominated animated features, and Fathom Events are proud to continue their collaboration and deliver a new and expanded selection of celebrated animated films to U.S. cinemas throughout the year with STUDIO GHIBLI FEST 2019. Featuring nine of Studio Ghibli’s masterpieces, the series kicks off with the 15th anniversary of the Academy Award- nominated fantasy adventure Howl's Moving Castle, and continues with the 35th anniversary of Nausicaä of the Valley of the
Willem Dafoe excels in unconventional biopic of Vincent Van Gogh.
Yes, we just had a semi-biopic on Vincent van Gogh not too long ago with Loving Vincent; the trippy, experimental effort that saw well-known actors turned into water color figures. And, hey, in the end, that worked out rather well. Now, we get another film about the famous painter with At Eternity’s Gate, which has the wonderful Willem Dafoe headlining as van Gogh. Surprisingly, though, this is not the familiar, Oscar-bait type of feature that one expects around late November (the time of its theatrical release). It’s a rather deep, philosophical exploration at the late painter’s last days. Dafoe narrates
It's hard for most of the women in The Group to realize their full potential. Something that was true for 1933, 1966, and sadly, for many, still today.
Kino Lorber has released the 1966 film The Group on Blu-ray. Directed by Sidney Lumet (12 Angry Men, Dog Day Afternoon, Murder on the Orient Express, Network), the film explores the post-college lives of eight women for a decade. An adaptation of the Mary McCarthy's bestselling 1963 novel of the same name, The Group follows eight young women as they graduate a Vassar-like college in 1933. They are young and white and privileged - and they are all assured, even convinced, that the world is their oyster. But the world is not that simple, and each woman will face challenges
Peter Cushing and Christopher Lee battle an alien ape on a train. What more could you want?
Christopher Lee and Peter Cushing first performed in a movie together in Laurence Olivier’s 1948 adaptation of Shakespeare’s Hamlet (Cushing played Oscric, a minor character, while Lee was an uncredited spear carrier). They were nearly inseperable after that, performing again together more than 20 more times. They made several great movies, quite a few bad ones, and became stars performing for Hammer Studios in a slew of horror films. They were the best of friends up until Cushing died in 1994. In 1972, both actors were set to make a low-budget horror movie based upon the novel Who Goes There?
This film is also about Freddie Mercury's life and his struggle to live in his true identity.
Bohemian Rhapsody follows the formation of Queen from their early days as a band called "Smile" who hires Freddie Mercury after losing their lead singer through the band's heyday and ends with their legendary Live Aid performance. And while the film tries to cover over two decades of events in a short amount of time, this film is also about Mercury's life and his struggle to live in his true identity. The film is nominated for several Academy Awards including Best Picture and Best Actor. While I don't think that Bohemian Rhapsody will take best picture, Rami Malek definitely deserves
It's another great week to be a Blu-ray collector, and I've got all the new releases worth talking about.
I don’t consider myself a huge Queen fan, but I dig a lot of their songs. They could write a big stadium anthem like few others. There is no denying that Freddie Mercury was incredibly charismatic and one intensely talented front man. Just watch that performance of them at Wembley Stadium and you'll see what I'm talking about. Director Bryan Singer’s biopic of the band naturally focuses on Mercury and it's garnered quite a bit of praise including Oscar noms for Best Picture and Best Actor for Rami Malek. I wish I’d seen it in the theaters as no doubt
One of Burt Lancaster's most elusive (and intriguing) features finally hits home video in the U.S. thanks to Kino Lorber.
Occasionally referred to by the relatively few who have seen it as a Southern precursor to David Lynch's Twin Peaks, 1974's The Midnight Man is an exceptional neo-noir starring the one and only Burt Lancaster as Jim Slade: an ex-cop from Chicago, who also happens to be an ex-con. Released from stir after serving a stint over a crime of passion (which is, thankfully, only alluded to), Slade accepts a job as a night watchman at a college in a tiny, sleepy-eyed town in the South; an invitation for a new life extended by his old friend, fellow ex-cop Quartz
Randal Kleiser's follow-up to Grease takes him to Greece for a film that ought to be a lot more fun than it actually is.
After the massive success of both Grease and The Blue Lagoon, director Randal Kleiser was given free reign to make pretty much any movie he wanted. Apparently what he wanted was to make a listless film featuring beautiful scenery, beautiful people and about as much casual nudity as an R-rated movie could stand in 1982. A young American couple, Michael (Peter Gallagher) and Cathy (Daryl Hannah), decide to spend the summer between finishing college and starting their careers vacationing on the Greek island of Santorini. She has always been a good girl, never getting into trouble and always behaving. He
Subpar yet still watchable thanks to Taraji P. Henson's charismatic performance.
Admittedly, What Men Want could’ve been its own original idea rather than a gender-flipped remake of the Mel Gibson comedy What Women Want from 2000. Only because it’s a part of an ongoing trend of gender-flipping old properties when they could easily give actresses their own original properties. That being said, What Men Want still manages to be an amusing comedy that dissects gender and racial discrimination in the workplace. Plus, it’s proof that Taraji P. Henson can carry a film like it’s literally nobody’s business. Henson plays Allison “Ali” Davis, a sports agent who just can’t catch a break.
My favorite had the best story and execution.
For over a decade, ShortsTV has proudly brought the Oscar-nominated Short Films to audiences across the globe. This exclusive release features the year’s most spectacular short films and for a limited time is available to watch on the big screen. Each nominee is released in one of three distinct feature-length compilations according to their category of nomination: Live Action, Animation, or Documentary. The films go into theaters around the world on February 8 and are not released anywhere else until a few days before the Oscars, when they are also made available February 19 via on demand platforms, including iTunes,
One of the very best films of 2018.
Director Hirokazu Kore-eda has made some of the best portraits of humanity for over two decades. These are stories of human beings in constant states of emotional and physical limbo that seem rare, honest, and fresh. They also describe certain parts of society that are usually and often overlooked in film. These amazing films include After the Storm, Still Walking, Nobody Knows, and Like Father, Like Son. However, I think his wonderful 2018 masterpiece, Shoplifters, is where he has reached his zenith. The film takes place in the margins of Tokyo, where a dysfunctional "family" of misfits makes ends meet
I watched some cool movies this week and remember a great actor.
It has been cold here in Oklahoma. Like really cold. Like, well, not as cold as it's been in places like Chicago, but it's been below freezing and that’s cold enough for me. It's the kind of cold that makes me want to stay inside, light a fire, and curl up with a good book. But since we don’t have a fireplace and my daughter doesn’t let me read for more than fifteen minutes at a time, instead I cranked up the heater and watched lots of movies. Here’s five of them that I enjoyed. Phantom Boy Last fall, it
And the nominees are...
For over a decade, ShortsTV has proudly brought the Oscar-nominated Short Films to audiences across the globe. This exclusive release features the year’s most spectacular short films and for a limited time is available to watch on the big screen. Each nominee is released in one of three distinct feature-length compilations according to their category of nomination: Live Action, Animation or Documentary. The films go into theaters around the world on February 8 and are not released anywhere else until a few days before the Oscars, when they are also made available February 19 via on demand platforms, including iTunes,
Thirty-five years later, our teenagers return to capture the last ghost.
Scooby-Doo! and the Curse of the 13th Ghost is the 32nd direct-to-video release of the series. Just let that sink in a second. A show that has been around since 1969 has had 13 different series and since 1998, there have been 32 direct-to-video movies. For a series that is celebrating 50 years, it's amazing how vibrant and up-to-date it can feel after feeling so dated and out of touch just a few releases earlier. I've been reviewing the different series and movies off and on for the past 12 years. This newest release is an interesting finale to the
Sharply written and features a multi-layered star turn from Lovie Simone.
It goes without saying that high school is Hell. As it turns out, the teen dramedy Selah and the Spades is a sharp look at the kind of students who make it into a hellscape. Particularly, the Queen Bee who rules the school. We may have seen high school films that demonstrate the vantage point of popular mean girls like Jawbreaker and of course, Mean Girls. However, Selah and the Spades still offers its own incisive demonstration of the political nature of high school cliques. There are five factions that make up the underground lifestyle of Halliwell Boarding School. The
So well crafted, it is equally one of the best comedies, one of the best adventures, and one of the best love stories.
Based on the novel by William Goldman, who also wrote the screenplay, Rob Reiner's The Princess Bride is a fantasy adventure filled with humor and romance that became an instant classic in the hearts of many who saw it. When a young boy (Fred Savage) is sick in bed, his grandfather (Peter Falk) comes over to continue a family tradition by reading him The Princess Bride. The young man is not overly thrilled about having to sit through a romance, but he gives his grandfather the benefit of the doubt. The film then cuts to the book's story introducing the
Fans can browse exclusive extras revealing the creation of the film’s eye-popping internet and its off-the-wall content, deleted scenes, hidden Easter eggs, and much more!
Cinema Sentries has teamed up with Walt Disney Home Entertainment to award one lucky reader the Ralph Breaks The Internet Blu-ray Combo Pack. The film will be available on Digital 4K Ultra HD and Movies Anywhere on Feb. 12 and 4K Ultra HD and Blu-ray on Feb. 26. For those wanting to learn more, read the press release below: Walt Disney Animation Studios’ Ralph Breaks the Internet, the animated adventure featuring video-game bad guy Ralph (voice of John C. Reilly) and fellow misfit Vanellope von Schweetz (voice of Sarah Silverman), raced to No. 1 opening weekend (the second biggest Thanksgiving
The Man Who Killed Hitler and Then the Bigfoot Movie Review: Not Exactly What You Expect, and That's a Good Thing
Sam Elliott plays a man who kills Hitler and then hunts Bigfoot in this surprisingly moving film.
What a name for a movie! One could easily suspect The Man Who Killed Hitler and Then the Bigfoot would be the latest in grindhouse genre tributes and might be shown as a double feature with something like Hobo with a Shotgun. Alas, despite the lengthy and creative title, Robert D. Krzykowski’s debut is less of an all-out bloodfest and more of a character study on a man who once made an impact on American society - and yet few know about it. Obviously, there’s quite a bit of revisionist history being put into play here, and Kryzkowski has some
A very underappreciated masterpiece of toxic masculinity and bleak relationships.
When it comes to underappreciated figures of film, none are more legendary and important than Elaine May. After a successful series of improvisational comedy routines from the 1950s with the late, great Mike Nichols, she later developed a career as a very talented director and screenwriter with a deft and savage eye for complicated relationships. Even with brilliant films such as A New Leaf (1971), The Heartbreak Kid (1972), and her 1976 masterpiece, Mikey and Nicky, she continues to be often overlooked, because apparently, filmmaking only belongs to men. This should never be the case, because when talking about May,
A boy befriends a mermaid, and director Masaaki Yuasa reigns in his anarchic animation style...for a little while.
Masaaki Yuasa is something of a wild card anime director. In an industry that can be chided for a certain uniformity of design and technique, he makes movies that look like nobody else's. To paint with a broad but not inaccurate brush, anime tends to go for contrasts of motion - energetic motion punctuated by stillness. Detailed backgrounds with simplified characters. Yuasa can do that, then wildly shift into incredible kineticism, with characters and backgrounds shifting with no concern for realism, detail, or anything other than the effect of the shot. Lu Over the Wall was conceived, as Yuasa explains
This visually arresting fantasy story of a mother and son that pulls at the heartstrings (and the tear ducts).
Maquia: When the Promised Flower Blooms is visually stunning, and works hard at it. It opens with the working of a loom on screen, digitally animated. It's an incredibly detailed bit of mechanical animation, all lit with a white light that makes the images pale and almost translucent. The next image is of a beautiful vista - a white city sitting above a lake, blue water in the foreground and green and white mountains behind. Both shots are detailed, and rendered to be as visually impressive as possible. As the anime characters start appearing among these detailed fore and background
It's another big week of new releases. I have all your info.
As someone who has to regularly come up with article titles, I know names can be hard. Finding something eye catching, easy to scan that sums up your entire work of art can be a maddening process. Good titles are eternally memorable. They can lead them directly to you work. Bad ones can turn people off, keep them from watching your movie. The Sisters Brothers is a terrible freaking title. It seems clever because its about some brothers whose last name is Sisters, but it doesn’t work in any other way, and those unfamiliar with the film (which includes everyone
A harrowing watch that continues the conversation surrounding sexual misconduct.
The documentary Untouchable, which depicts the rise and fall of former movie producing mogul Harvey Weinstein, doesn’t tell us any information about him we don’t already know at this point. But what it does do is give us an idea of how monstrous he truly is. The interview subjects that have been subjected to his sexual misconduct describe the severity of his behavior and it becomes quite harrowing to watch. Granted, Untouchable was never meant to be an easy pill to swallow. But still. It’s discomforting seeing these unfortunate women relive their trauma at the hands of a man with
Enjoyable but not as much as it should have been.
In the previous DC animated film, The Death of Superman, the Man of Steel met his demise at the hands of the powerful Doomsday. It’s been six months since the loss of our hero and four new superheroes have risen to take his place. Superboy (Cameron Monaghan) is a teenage clone more interested in girls and media attention than crime fighting, and who happens to be created by Superman’s (Jerry O’Connell) arch enemy, Lex Luthor (Rainn Wilson). Steel (Cress Williams) is a man made of metal with a giant war hammer as a weapon. But is he a robot, a
Two films from Luigi Bazzoni illustrate both what a great director he was and what seismic shifts Dario Argento created on Italian cinema.
There were giallo around before Dario Argento unleashed The Bird with the Crystal Plumage but that film upended, supplanted and redefined the genre creating a million copycat films in its wake and making all previous films feel like they are part of a different genre altogether. Luigi Bazzoni directed two films in the genre, The Possessed in 1965 and The Fifth Cord in 1971, which straddle both sides of Plumage, making it a fascinating double feature to see how in just a few short years the genre had completely changed. Arrow Video is releasing both films this week with new
A darkly humorous yet surprisingly heartfelt zombie comedy.
For those of you who don’t know the synopsis, Little Monsters is not a documentary on Lady Gaga’s fan base. Instead, it is an entertaining zombie comedy that features Taylor Swift music, Star Wars references, and of course, lots of undead creatures. It also manages to be pretty heartfelt with its story involving a kindergarten teacher going to great lengths to protect her students from being infected and/or killed. Admittedly, the chief protagonist is Alexander England as Dave, a slacker who accompanies his nephew, Felix (Diesel La Torraca) on a class field trip so that he can get with his
Any of them are deserving to win.
For over a decade, ShortsTV has proudly brought the Oscar-nominated Short Films to audiences across the globe. This exclusive release features the year’s most spectacular short films and for a limited time is available to watch on the big screen. Each nominee is released in one of three distinct feature-length compilations according to their category of nomination: Live Action, Animation, or Documentary. The films go into theaters around the world on February 8 and are not released anywhere else until a few days before the Oscars, when they are also made available February 19 on demand platforms, including iTunes, Amazon
The third season succeeds by totally resetting the premise of the show for the better.
After an initial two seasons that showed glimpses of promise along with multiple missteps, the Season-Two cliffhanger initiated an exciting new direction that is fully capitalized on in this fantastic third season. Instead of continuing to explore a near future England where green-eyed “synths” are little more than mindless robotic maids and butlers for their human owners, the cliffhanger found a human launching a software patch that instantly made all synths sentient and fully aware of their virtual slavery. Season Three picks up a year after that cataclysmic event, revealing that 110,000 humans (and 100 million synths) died in the
Supernatural "mixes in the dark and macabre with the right amount of humor, heart, and characterization." - Todd Karella
Press release: To celebrate the 300th episode of the hit series, Supernatural, TNT has curated the top 25 fan-favorite episodes, which will air February 4 - 7. In the series, Sam Winchester (Jared Padalecki) and Dean Winchester (Jensen Ackles) lost their mother to a mysterious and demonic supernatural force. Subsequently, their father John raised them to be soldiers. He taught them about the paranormal evil that lives in the dark corners and on the back roads of America ... and he taught them how to kill it. Have a classic Supernatural episode in mind that you can’t miss? Let them
A simple yet effective throwback to classic monster movie fare.
Despite Sweetheart being a pretty standard creature feature, it still proves to be quite effective. One reason is because it features a strong central leading performance from Kiersey Clemons. Another is because writer/director JD Dillard crafts such masterful suspense leading up to its climactic finale. The premise may be simple. It’s a survival horror film about a woman who survives a shipwreck and wakes up to find herself stranded on an island with a mysterious creature. Yet Dillard is able to craft it so innovatively. During the film’s first half, there is very little dialogue. It’s mostly the main character
It's the weekend so what not read about some cool things?
The sickness is finally starting to abate here in the Brewster household. I’m still coughing a bit but the head is mostly clear and (I hope) the infections are all gone. They feel like they are anyway. It was another week filled with trying to get through some television shows I’ve already mentioned (how about that Barry season finale? That’s a dark place I wasn’t expecting it to go). But there is plenty of new stuff to talk about so let's get to it. Eighth Grade Apparently, I now empathize with the fathers in teenager movies more than the actual
Dedicated to "Enriching, connecting, and educating communities through the art of cinema."
Press release: Orange County's non-profit art house theater The Frida Cinema will be celebrating its 5th Anniversary on February 21st with a special screening of Casablanca, as well as a month of programming filled with audience favorites from its first five years! Dedicated to "Enriching, connecting, and educating communities through the art of cinema," The Frida Cinema has served as Orange County's sole community-based, mission-driven not-for-profit art house cinema since opening its doors on February 21, 2014. Founded by Executive Director Logan Crow on a shoestring budget, the two-screen cinema has become a popular destination for Southern California cinephiles with
Geraldine Viswanathan is a revelation in this affecting coming-of-age drama.
Part coming-of-age story and part meditative portrait of religious hypocrisy, Hala is quite an effective showcase. It also takes the typical story of a teenager adjusting to life in high school and makes it feel new by focusing on a Muslim American teen and emphasizing on the importance of choice. The film is about the titular character’s fight for her individuality from within and with those around her. When the film first opens, we see Hala (Geraldine Viswanathan) reciting a prayer before the scene eventually cuts to her masturbating in a bathtub. Then, we see her skateboard to school while
Wounds starts off promising before slowly going off the rails with its overly ambiguous premise.
One way to describe Wounds is that the experience of watching it doesn’t feel like self-inflicted pain. However, it does feel like a slight bruising in the end because it’s such a mindbender and it becomes hard to decipher how you feel about the film in general. The first half offers strong promise but things go off the rails as the film progresses to the point where you can’t comprehend what you just saw. The basic premise is as follows. Will (Armie Hammer), a bartender from New Orleans, is working a shift one night. But when a customer accidentally forgets
The Nightingale has strong political undertones yet still succumbs to its ultraviolent nature.
The biggest positive about The Nightingale happens at the very beginning of the film. Our main character, Clare, is singing a tune for a bunch of British soldiers before the title card is revealed. Because of the film’s title and how Clare sings a lovely tune, it seems like we’re in for a rather light film. That is until things quickly turn on a dime and Claire becomes subjected to a gang rape while her family gets killed off. Already, The Nightingale becomes a task to sit through because of its graphic nature. The film even nearly falters because of
This oh-so very sixties comedy could have used a little more swing and little less schwing.
A man stands in a London museum admiring a collection of Russian artifacts including the Crown Jewels that were confiscated from the Royal Family during the revolution. He smiles at the fact that painting of the Royal Family rather resemble his own visage. It should as he is Nicholas Wladimirovitch Goduno (Marcello Mastroianni), Grand Duke and descendant of the Imperial Romanov family, who now owns a small boutique shop in London and mountains of debt. When he slips on a banana peel, knocking himself unconscious, he awakes to visions of his ancestor (also Mastorianni) begging him to take back what